Yesterday morning we had the auditorium in the second round of review of ten concerts dedicated to Nino Rota in the next year is the centenary of his birth.
During the show will run several movie soundtracks, for which Rota is justly famous, and many other music without a film destination, because Nino Rota was a composer of music of 900 who also wrote music for films. Moreover, even Beethoven wrote incidental music, but if it had existed in his day the cinema, I bet he would have written for the cinema. Nino Rota was naturally inclined to film music because his music always has a particular quality, creates a space, evokes an environment.
Of this we have realized that yesterday the execution, for example, the cello concerto of 1925 (and rebuilt in the first performance), Rota when she was 14 years low. It is certainly a very naive and immature, but that has absolutely beautiful moments in some dialogue between the cello and an oboe, for example on a bed of strings. The same thing could
recorded in concert for strings 1965, where they often are not very far from music to movies like "The Godfather." Moreover, the inspiration had constants, common abbreviations that passed long ago to another.
As for film scores, were performed as for "The sweet life ", written for an orchestra of winds and only a viola, and "Nights of Cabiria", where the accordion, already feel the echoes of "Amarcord" and the undulations of the arches, a remote presentation of "The Godfather."
Bel gig well played and directed by Joseph integration and good fun with the orchestra.
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